
The pace trundles rather than zooms, much like the pace of life in the film. But unlike other French auteurs, Philibert doesn’t patronise, baffle or bore the audience. It’s always entertaining, often hilarious and never boring. There’s no sanctimonious voiceover, he lets the characters tell their own story. After a year following these fascinating subjects, he’s managed to construct a coherent and extremely watchable window into their lives.
And maybe it’s too much living in the city, but this came as a welcome break from the frantic pace and worries of life. It has a quiet power and refreshing calm that makes you forget everything else, if only for an hour and a half.
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